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--- moving_sculpture [2018/12/13 12:47] – oneplusoneisthree
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-„The Dream of the Moving Sculpture“ von Zohar Gotesman [23.08.–24.10.2018]
+====== "The Dream of the Moving Sculpture" ======
+by Zohar Gotesman
-Vorgestellt wurde im Rahmen der Eröffnung von Intermezzo 2 auch das Side Project „The Dream of the Moving Sculpture“ von Zohar Gotesman, kuratiert von Kathrin Oberrauch, Eau & Gaz, in Zusammenarbeit mit der Firma Nikolaus Bagnara AG.
-„The Dream of the Moving Sculpture“ ist eine skulpturale wie auch performative Arbeit, die sich immer wieder verändert und neugestaltet. Ihre Dynamik lebt im Gegenspiel zu der Stagnation des Monuments und widerstrebt jeglicher ideologischer Vereinnahmung von Geschichte. Am Ende der dreimonatigen Transformation bleibt ein groteskes Mashup verschiedenster Epochen übrig: Ein verwüsteter Kriegsschauplatz des Konflikts zwischen Geschichte und Gegenwart.
+"Public space and the way it is perceived in Bolzano is very different from how urban space is perceived in Israel. When I lived in Europe I realized that the connection to heritage and its visibility in European cities is very strong. I want to investigate the public’s relation to a changing, moving sculpture - a concept that I feel very strongly about in my work."
+----
+{{:wiki:zohar:video_research_20180326_155734_smaller.gif|}}
+"The excessive number of public statues in Bolzano are a perfect surrounding for camouflaging The Dream of the Moving Sculpture, and diffusing its social critique into the public space."
+The Side Project "The Dream of the Moving Sculpture" by Zohar Gotesman, curated by Kathrin Oberrauch, [[http://eauetgaz.org/ | Eau&Gaz]], in cooperation with the company Nikolaus Bagnara AG, was also presented at the opening of[[intermezzo 2 | Intermezzo 2]].
+"The Dream of the Moving Sculpture" is a sculptural as well as a performative work that is constantly changing and redesigning itself. Its dynamics live in opposition to the stagnation of the monument and resist any ideological appropriation of history. At the end of the three-month transformation, a grotesque mashup of various epochs remains: a devastated theatre of war of conflict between past and present.
+{{ :wiki:zohar:img_6601_small.jpg| }}
+----
+{{:wiki:zohar:collage_potetoman.jpg?300|}}
+The tool of unmasking and the lack of respect towards traditional cultural values are fundamental features of Surrealist humor.
+The alteration of the work will happen at night, without any advance notice, so that every few days passer-by locals will have a new experience in relation to the surroundings.
 {{ :wiki:zohar:cnc_quick_fast.gif|}}
-“The Dream of the Moving Sculpture“ di Zohar Gotesman [23.08–24.10.2018]
-Durante l’inaugurazione di Intermezzo 2 è stato presentato anche il side project “The Dream of the Moving Sculpture” di Zohar Gotesman, curato da Kathrin Oberrauch, Eau & Gaz, e in collaborazione con la ditta Nikolaus Bagnara Spa.
-“The Dream of the Moving Sculpture” è un’opera scultorea e performativa che cambia e si ridisegna continuamente. Le sue dinamiche si oppongono alla ristagno del monumento e resistono a qualsiasi appropriazione ideologica della storia. Dopo tre mesi di trasformazione, quel che rimane è un grottesco “mashup” di varie epoche: un teatro di guerra devastato dal conflitto tra la storia e il presente.
+There is a great dissonance between the extreme effort and labor that I put into the work and between the ridiculous action.
+{{:wiki:zohar:img_1631.jpg?400|}}
+"Visual perception becomes a cultural reading process, charging the image with history and narratives."
+"Naturally local issues and conversations will find themselves inside the sculpture as I am interested in the influence of specific cultural, historical, and political everyday matters."
+{{ :wiki:zohar:model_img-20180813-wa0014.jpg?300|}}
+{{:wiki:zohar:mask_img-20180809-wa0007.jpg?220|}}
+"My work often creates a juxtaposition between a naïve or romantic view of the past and an acknowledgment that this stance necessarily relies on a fetishistic artifact."
+"[…] myth and history are in fact beyond conciliation: While the former claims that nothing truly new can occur, the concept of history implicates the possibility of human influence on events, making humans responsible both for their conscious actions and at the same time morally and politically in charge of their own fate."
+{{:wiki:zohar:IMG_6613_small.jpg|}}