1+1=3 or how to (de)construction a space in three acts is a transdisciplinary project that deals in seven pieces with interpersonal coexistence, the composition and emergence of social or individual space. Through the eyes of 20 artists who have all spent a residence in the GAP Atelierhaus in Glurns, 1+1=3 questions in three exhibition acts (AKT I, AKT II, AKT III) and in 4 digital exhibitions (Prologo, Intermezzo 1, Intermezzo 2, Epilogo) the construction and deconstruction of the spaces we inhabit.

You are currently in the Epilogo, the last digital section of the project, which gathers the documentation of everything that happened.

The city of Glurns, with its 888 inhabitants, is one of the smallest cities in Italy, probably one of the smallest cities in the world. And yet it is a city. But what does it define as such? What are the characteristics of (urban) coexistence?

1+1=3 begins with the idea that Glurns, in abstract and minimalized form, is a kind of primeval city due to its size, the prototype of a city defined as such due to certain infrastructures and/or buildings that do not occur “in the countryside”. Accordingly, all the smaller and larger cities of the world would have to be similar, a multiplication of the abstract Glurns. But does space really define itself on the basis of lines, dimensions and forms, or are it the individual fragments, the people, who create and define space through their eyes and through their living together?

1+1=3 unites about twenty artists who neither know each other nor inhabit the same space. They are at home in many different cities around the world. Two moments (neither chronological nor hierarchical) unite them all. They all resided at the GAP Glurns Art Point at some point. The reflections that were made at that time extend beyond the time of the residence and live on today, in the many different cities. All the artists are also part of a video, which is a red thread that leads through an exhibition in three acts and unites the artists in another moment.

Fragments of reflections and pictorial realization, made in the studio house in Glurns, meet in the studio house of the Bozner Museion and form a puzzle of an ideal city and its society. In the process, similarities in the construction of urban coexistence in various cities seep through. At the same time, however, the exhibition also illuminates the individual, the individual, and thus the reason for diversity.

In three acts combined with a digital part, 1+1=3 questions and illuminates the characteristics of interpersonal coexistence, the composition and emergence of (social) space and the identity of the individual within this or that space, each from a different perspective.

None of the three exhibitions can exist without the overall concept. None of them without us, none of us without me.

The three acts of the project 1+1=3, are alternated with a series of digital displays that establish the same relationships in virtual space.

Before each work presentation (physical exhibition), a digital display was installed a limited period of time. Through videos, images and texts, they showed some component of art and exhibition production that are usually invisible to the public.

The intention was to “expand” and explore the gallery space by considering, as part of the exhibition itself, all the complementary and necessary components for the realization of the artwork that are usually out of sight. The aim is to dissolve the spatial-temporal boundaries of the museum and to consider the various facets of the art system and their function in relation to the artist and his or her work.

In this way, the artist's working space, his/her living space and personal taste, as well as the audience's role and expectations, the content and theoretical enrichment by the press and critics, and the organisational and planning phases prior to the exhibition become part of the exhibition itself.

In cooperation with the Austrian association servus.at, which deals with online art and culture, the Atelierhaus in Glurns will be equipped with a video streaming system showing the rooms of the Glurns Art Point GAP and the activities of the artists living there. At the same time, a second installation based on video file sharing collects video messages from the artists involved in the entire project (1+1=3), while a third display - printed on paper - shows the e-mail communication between GAP and the artists themselves.

The content displayed through these three streaming modes changes with each edition of the digital displays, sometimes involving the audience directly in the interactive system.

zeigt Arbeiten von KünstlerInnen, die sich mit der Spezifität bestimmter Orte und der Entstehung (sozialen) Raums beschäftigen.

Pierangelo Giacomuzzi, 1985, (I) http://treefisting.blogspot.it/
Pascal Lampert, 1972, (CH), www.kuenstlerarchiv.ch/pascallampert
Maria Mathieu, 1948, (D) www.mariamathieu.de
Franziska Schink, 1977, (D)
Antonio Villa, 1982, (I) www.galleriailmelone.com/index.php?task=artista_scheda&id=86
Jacob Wolff, 1986, (UK) www.jacobwolff.co.uk

zeigt Arbeiten von KünstlerInnen, die sich mit zwischenmenschlichen Beziehungen und dem (zwischen-)menschlichen Verhalten beschäftigen.

Federica Bruni, 1977, (I) federicabruni.weebly.com
Alessandro Cacciotti, 1974, (I) www.alessandrocacciotti.it
Fernando García Méndez, 1988, (E) gmendezfernando.wordpress.com
Frances Drayson, 1986, (UK) francesdrayson.com

zeigt Arbeiten von KünstlerInnen, die sich mit der Identität des Menschen in Hinblick auf seine oder eine Kultur beschäftigen. Außerdem mit der Frage des Selbst. Wer bin ich und, wenn ja, wie viele?

Michael Dlugosch, 1985, (D) www.michael-dlugosch.de
Mara Lea Hohn, 1989, (D) www.2016.newtalents-cologne.de/en/talents/kunst/mara-lea-hohn
Janina Lange, 1986, (D) www.janinalange.com
Bianca Mann, 1991, (RO) www.facebook.com/biancamann25
Celeste Rojas Mugica, 1987, (ARG) www.celestrip.com
Zoya Sardashti, 1982, (USA) homesoil.org/artists/zoya-sardashti
Zohar Gotesman, 1979, (ISR) www.facebook.com/zohar.gotesman