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start [2018/12/12 12:11] oneplusoneisthree [1+1=3] |
start [2018/12/14 00:12] (current) oneplusoneisthree [Intermezzo 2 [the exhibition outside itself]] |
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| === or how to (de)construct a space in three acts === | === or how to (de)construct a space in three acts === | ||
| - | //1+1=3 or how to (de)construction a space in three acts// is a transdisciplinary project that deals in seven pieces with interpersonal coexistence, the composition and emergence of social or individual space. Through the eyes of 20 artists who have all spent a residence in the GAP Atelierhaus in Glurns, 1+1=3 questions in three exhibition acts ([[AKT I]], [[AKT II]], [[AKT III]]) and in 4 introductory parts ([[Prologo]], [[Intermezzo 1]], [[Intermezzo 2]], [[start | Epilogo]]) the construction and deconstruction of the spaces we inhabit. | + | //1+1=3 or how to (de)construction a space in three acts// is a transdisciplinary project that deals in seven pieces with interpersonal coexistence, the composition and emergence of social or individual space. Through the eyes of 20 artists who have all spent a residence in the GAP Atelierhaus in Glurns, 1+1=3 questions in three exhibition acts ([[AKT I]], [[AKT II]], [[AKT III]]) and in 4 digital exhibitions ([[Prologo]], [[Intermezzo 1]], [[Intermezzo 2]], [[epilogo | Epilogo]]) the construction and deconstruction of the spaces we inhabit. |
| - | You are currently in the Epilogo, the last section of the project, which gathers the documentation of everything that happened. | + | You are currently in the Epilogo, the last digital section of the project, which gathers the documentation of everything that happened. |
| - | ===== INTRO ===== | + | ====== INTRO ====== |
| The city of Glurns, with its 888 inhabitants, is one of the smallest cities in Italy, probably one of the smallest cities in the world. And yet it is a city. But what does it define as such? What are the characteristics of (urban) coexistence? | The city of Glurns, with its 888 inhabitants, is one of the smallest cities in Italy, probably one of the smallest cities in the world. And yet it is a city. But what does it define as such? What are the characteristics of (urban) coexistence? | ||
| 1+1=3 begins with the idea that Glurns, in abstract and minimalized form, is a kind of primeval city due to its size, the prototype of a city defined as such due to certain infrastructures and/or buildings that do not occur "in the countryside". Accordingly, all the smaller and larger cities of the world would have to be similar, a multiplication of the abstract Glurns. But does space really define itself on the basis of lines, dimensions and forms, or are it the individual fragments, the people, who create and define space through their eyes and through their living together? | 1+1=3 begins with the idea that Glurns, in abstract and minimalized form, is a kind of primeval city due to its size, the prototype of a city defined as such due to certain infrastructures and/or buildings that do not occur "in the countryside". Accordingly, all the smaller and larger cities of the world would have to be similar, a multiplication of the abstract Glurns. But does space really define itself on the basis of lines, dimensions and forms, or are it the individual fragments, the people, who create and define space through their eyes and through their living together? | ||
| - | 1+1=3 unites about twenty artists who neither know each other nor inhabit the same space. They are at home in many different cities around the world. Two moments (neither chronological nor hierarchical) unite them all. They all resided at the GAP Glurns Art Point at some point. The reflections that were made at that time extend beyond the time of the residence and live on today, in the many different cities. All the artists are also part of a video, which is a red thread that leads through an exhibition in three acts and unites the artists in another moment. | + | 1+1=3 unites about twenty artists who neither know each other nor inhabit the same space. They are at home in many different cities around the world. Two moments (neither chronological nor hierarchical) unite them all. They all resided at the [[http://glurns-art-point.com/ | GAP Glurns Art Point]] at some point. The reflections that were made at that time extend beyond the time of the residence and live on today, in the many different cities. All the artists are also part of a video, which is a red thread that leads through an exhibition in three acts and unites the artists in another moment. |
| - | ===== AKTE ===== | + | ===== Project structure ======= |
| - | Fragmente von Reflexionen und bildnerischer Umsetzung, getätigt im Atelierhaus in Glurns, treffen im Atelierhaus des Bozner Museion aufeinander und formen ein Puzzle einer ideellen Stadt und ihrer Gesellschaft. Dabei sickern Gemeinsamkeiten im Aufbau urbanen Zusammenlebens in diversen Städten durch. Gleichzeitig beleuchtet die Ausstellung aber auch das Einzelne, das Individuum, und somit den Grund der Vielfältigkeit. | + | |
| - | In drei Akten, aufgeteilt in einen digitalen und einen analogen Part, hinterfragt und durchleuchtet 1+1=3 die Merkmale zwischenmenschlichen Zusammenlebens, die Zusammensetzung und Entstehung von (sozialem) Raum und die Identität des Einzelnen innerhalb dieses oder jenes Raumes, jeweils aus einem anderen Blickwinkel. | + | In three acts combined with a digital part, 1+1=3 questions and illuminates the characteristics of interpersonal coexistence, the composition and emergence of (social) space and the identity of the individual within this or that space, each from a different perspective. |
| - | ==== DRAMATURGIE ==== | + | None of the three exhibitions can exist without the overall concept. \\ |
| + | None of them without us, none of us without me. | ||
| - | Jede Ausstellung beginnt nach dem Opening mit einer Streaming-Phase, worauf sodann eine physische Werkschau folgt. Die drei Akte bzw. Ausstellungen vollziehen also einen Wandel und animieren die BesucherInnen zum wiederholten Besuch der Ausstellung. Der Beginn der physischen Ausstellung wird durch eine Veranstaltung in kleinerem Rahmen markiert. | ||
| - | Keine der drei Ausstellungen kann ohne das Gesamtkonzept bestehen. Kein sie ohne uns, kein uns ohne ich. | + | The three acts of the project 1+1=3, are alternated with a series of digital displays that establish the same relationships in virtual space. Through videos, images and texts, the digital shows present the component of art and exhibition production that are usually invisible to the public. |
| + | The intention here was to "expand" and explore the same space of the museum, by considering part of the exhibition itself all the components involved in the realization of the artwork - which are usually out of sight. The aim is to dissolve the spatial-temporal boundaries of the museum and to consider the many characteristics of the art system in relation to artists and artworks. | ||
| - | ===== ANALOGE INSZENIERUNG ===== | + | The artist's working space, his/her living space and personal taste, as well as the audience's role and expectations, the content and theoretical enrichment by the press and critics, and the organisational and planning phases prior to the exhibition become part of the exhibition itself. |
| - | ==== Akt I – sie / loro / them ==== | + | ===== DRAMATURGY and CHARACTERS ===== |
| - | zeigt Arbeiten von KünstlerInnen, die sich mit der Spezifität bestimmter Orte und der Entstehung (sozialen) Raums beschäftigen. | + | |
| - | Pierangelo Giacomuzzi, 1985, (I) http://treefisting.blogspot.it/ \\ | + | ==== Prologo ==== |
| - | Pascal Lampert, 1972, (CH), www.kuenstlerarchiv.ch/pascallampert \\ | + | In a theatre piece the [[prologo | prologue]] gives the audience an introduction to the plot which is about to be performed and the character involved into it. |
| - | Maria Mathieu, 1948, (D) www.mariamathieu.de \\ | + | |
| - | Franziska Schink, 1977, (D) \\ | + | |
| - | Antonio Villa, 1982, (I) www.galleriailmelone.com/index.php?task=artista_scheda&id=86 \\ | + | |
| - | Jacob Wolff, 1986, (UK) www.jacobwolff.co.uk \\ | + | |
| + | ==== Akt I – sie / loro / them ==== | ||
| + | It shows works by artists who deal with the specificity of certain places and the emergence of [[akt I | (social) spaces]]. | ||
| + | ==== Intermezzo 1 [inthebubble] ==== | ||
| + | Many different bubbles make society very diverse. If social groups do not interact with each other, society becomes highly fragmented. How can we leave the protective environment of [[intermezzo 1 | our bubble]] and reach out the rest of society? | ||
| ==== Akt II – wir / noi / us ==== | ==== Akt II – wir / noi / us ==== | ||
| - | zeigt Arbeiten von KünstlerInnen, die sich mit zwischenmenschlichen Beziehungen und dem (zwischen-)menschlichen Verhalten beschäftigen. | + | It shows works that deal with [[akt II | interpersonal relationships]] and (inter)human behaviour. |
| - | + | ||
| - | Federica Bruni, 1977, (I) federicabruni.weebly.com \\ | + | |
| - | Alessandro Cacciotti, 1974, (I) www.alessandrocacciotti.it \\ | + | |
| - | Fernando García Méndez, 1988, (E) gmendezfernando.wordpress.com \\ | + | |
| - | Frances Drayson, 1986, (UK) francesdrayson.com \\ | + | |
| + | ==== Intermezzo 2 [the exhibition outside itself] ==== | ||
| + | The exhibition goes outside its own walls. This time, as a logical consequence, we will try to go [[intermezzo 2 | outside our bubble]]. | ||
| ==== Akt III – ich / io/ me ==== | ==== Akt III – ich / io/ me ==== | ||
| - | zeigt Arbeiten von KünstlerInnen, die sich mit der Identität des Menschen in Hinblick auf seine oder eine Kultur beschäftigen. Außerdem mit der Frage des Selbst. Wer bin ich und, wenn ja, wie viele? | + | It feature works by artists who deal with the identity of a person with regard to his or her culture. Also with the question of the self. [[akt III | Who am I]] and, if so, how many? |
| - | + | ||
| - | Michael Dlugosch, 1985, (D) www.michael-dlugosch.de \\ | + | |
| - | Mara Lea Hohn, 1989, (D) www.2016.newtalents-cologne.de/en/talents/kunst/mara-lea-hohn \\ | + | |
| - | Janina Lange, 1986, (D) www.janinalange.com \\ | + | |
| - | Bianca Mann, 1991, (RO) www.facebook.com/biancamann25 \\ | + | |
| - | Celeste Rojas Mugica, 1987, (ARG) www.celestrip.com \\ | + | |
| - | Zoya Sardashti, 1982, (USA) homesoil.org/artists/zoya-sardashti \\ | + | |
| - | Zohar Gotesman, 1979, (ISR) www.facebook.com/zohar.gotesman \\ | + | |
| - | + | ||
| - | + | ||
| - | ====== DIGITALE INSZENIERUNG ====== | + | |
| - | + | ||
| - | Die drei Akte des Projekts 1+1=3, die sich mit den Themen des zwischenmenschlichen Zusammenlebens, der Schaffung von sozialem Raum und der Identität des Individuums in ihm beschäftigen, werden mit einer Reihe von digitalen Displays abgewechselt, die dieselben Beziehungen auch im virtuellen Raum herstellen. | + | |
| - | + | ||
| - | Vor jeder Werkpräsentation (physische Ausstellung) werden für eine begrenzte Zeit zyklisch drei StreamingS installiert, die durch Videos, Bilder und Texte einige Facetten der Kunst- und Ausstellungsproduktion zeigen, die für das Publikum meist unsichtbar bleiben. | + | |
| - | Die Grundidee besteht darin, die Struktur des Museums zu „erweitern“, indem man als Teil der Ausstellung selbst alle ergänzenden und notwendigen Komponenten für die Realisierung des Kunstwerks mitdenkt, die gewöhnlich nicht in Sichtweite sind. Ziel ist es, die räumlich-zeitlichen Grenzen der Galerie aufzulösen und die verschiedenen Facetten des Kunstsystems und ihre Funktion gegenüber der Künstlerin/dem Künstler und seinem Werk zu betrachten. | + | |
| - | + | ||
| - | Auf diese Weise werden sowohl der Arbeitsraum der Künstlerin/des Künstlers, ihr/sein Lebensraum und ihr/sein persönlicher Geschmack, als auch die Rolle des Publikums und dessen Erwartungen, die inhaltliche und theoretische Bereicherung durch die Presse und Kritik sowie die im Vorfeld der Ausstellung stattfindenden Organisations- und Planungsphasen Teil der Ausstellung selbst. | + | |
| - | + | ||
| - | Durch die Zusammenarbeit mit dem österreichischen Verein servus. at, der sich mit Online-Kunst und -Kultur beschäftigt, wird das Atelierhaus in Glurns mit einem Video-Streaming-System ausgestattet, das die Räume des Glurns Art Point GAP und die Aktivitäten der dort lebenden KünstlerInnen zeigt. Gleichzeitig sammelt eine zweite Installation auf Basis von Video-File-Sharing Videobotschaften der am gesamten Projekt (1+1=3) beteiligten KünstlerInnen, während ein drittes Display – gedruckt auf Papier – die E-Mail-Kommunikation zwischen GAP und den KünstlerInnen selbst zeigt. | + | |
| - | + | ||
| - | Die Inhalte, die durch diese drei Streaming-Modi angezeigt werden, ändern sich mit jeder Auflage der digitalen Displays, wobei das Publikum manchmal direkt in das interaktive System einbezogen wird. | + | |
| + | ==== Epilogo ==== | ||
| + | An [[Epilogo | epilogue]] is a piece of writing at the end of the work, used to bring closure to it. It can be used to wrap up all the loose ends. | ||
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